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From abstract expressionism to pop art, the collection at the museum serves as a time capsule of pivotal artistic movements.

“She was influenced by abstract expressionism, and she was influenced by the people at the time who were also painting in the neo-expressionist movement,” Casselli said.

She was part of the group of postwar artists — Helen Frankenthaler, Lee Krasner, Grace Hartigan and Elaine de Kooning — written about in the book “Ninth Street Women,” which details how abstract expressionism was born in this country and how women were a crucial part of it.

The first wave of minimalism in America emerged as a postwar avant-garde that sought to extinguish artist subjectivity in favor of the object — a rejection of the excesses of self-expression and of the cult of genius that had come to define Abstract Expressionism and other movements of the 1940s and ’50s.

Frank Stella, whose laconic pinstripe “black paintings” of the late 1950s closed the door on Abstract Expressionism and pointed the way to an era of cool minimalism, died on Saturday at his home in the West Village of Manhattan.