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And in the second act, he has a crucial existential colloquy with Marianne, Rachel Bay Jones’ wealthy airhead, who reveals a surprising amount of depth in a philosophical back and forth with her uncertain confessor.

And ever since, the epithet has become synonymous with a stereotype of deeply annoying airheads from Southern California.

“You might think they’re airhead WAGs, but these are two sharp, intelligent women.”

The score thrums with the power chords of enlightenment and, in a grace note, Fellner’s supposed airhead lands the script’s most insightful line: “Real love is to be at peace with flawed love.”

And their legal arguments are spit bubbles blown by conceited airheads.