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Ladd had a shift on SiriusXM’s Deep Tracks channel, which features the album-oriented rock he played over his long career.

Moss was central to cultivating that reputation, helping to transform A&M from an easy-listening label to a serious force in album-oriented rock ’n’ roll.

There’s a case to be made that the current Steely Danaissance really began in 2005, when the web series “Yacht Rock” — great moments from the history of ’70s and ’80s album-oriented rock music, as reenacted in cheap apartments by comedians in even cheaper wigs — posited a nerd-jock rivalry between Becker and Fagen and noogie-dispensing caricatures of Don Henley and Glenn Frey.

The Ghost mastermind admits to nostalgia for what was commonly known as “album-oriented rock,” the mainstream rock category epitomized by Journey, Foreigner, Boston and other ’70s and ’80s FM radio stars.

“Everything got bifurcated into adult, album-oriented rock and adult contemporary. There wasn’t really a lot of room for people straddling genres. She wasn’t so much a pop star, she wasn’t so much a metalhead. She was before her time and out of her mold.”