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I have already spoken of the creations of the myth forming imagination and its anagogic import.

We find it, for instance, in the criticism of Virgil, to whose work were attributed four distinct meanings: literal, allegorical, moral, and anagogic.

The necessity of reckoning with an anagogic content of myths results from the fact that religions with their ethical valuations, have developed from mythical beginnings.

The viewing of the exalted anagogic conception as a perspective vanishing point, makes allowance for the possible errors of superposition in the anagogic aspect of the elementary types.

There are, however, others than the religiously inspired natures, who are preëminently endowed to produce suggestive symbol groups with anagogic value; the artists.