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Actors could now more plausibly move around, and a wider range of viewers in the auditorium could get the scenic illusion without the risk of unintended anamorphosis, or visual warping.

It uses the same principle of perspective, anamorphosis, that some artists play with to make work that creates an optical illusion when viewed from a specific vantage point.

Instead, her moves were attuned to an anticipated visual experience—something like the forced perspective of a raked theater stage or the optical illusion of anamorphosis.

Phantom shapes Several artists use anamorphosis, a type of perspective that relies on a particular vantage point.

Thus does the present offer us only shapes for optical anamorphoses, and only our spirit is the sublime mirror which transposes them into fair human forms.