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The third and fourth were a showcase of bustling internal mechanics — especially the andante con moto third, in which the violins seem eager to identify as woodwinds.

Even so, “Mozart and Contemporaries” came off as an unbroken, unfurling, hypnotically broad, almost dreamlike silk of sound, inward-looking and wistful in both major and minor keys, in both andante and allegro.

Aaron Goldman’s flute and Lin Ma’s clarinet gave it a fresh polish, especially through its winding, entrancing andante.

Sometimes the time signature was simple, sometimes compound, the tempo allegro or andante or presto.

And in fact the movie is not very youthified: it unfolds at an andante pace and is about getting old.