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A classical section included a riotous version of Bach’s “Badinerie” that featured virtuosic solos by Janne Bengtson on the flute and Kalle Moraeus on the banjo.

Compare Harold C. Schonberg, who in 1970 huffed, also in The Times, “Hearing the Badinerie from Bach’s B minor Suite buh-buh-bubbed by a singer who could not even maintain some of the basic figurations was one of the more vulgar experiences of a concert-going lifetime.”

Rachel Brown gave the bouncing Badinerie that ends the Second the admirable attributes of folk flute.

Still, it was very much of its time and greeted by enthusiastic applause, reproduced here at painful length before the performers repeat the scampering Badinerie as encore.

Familiar melodies aside, the music had a frisson of added intensity, even melancholy; Ms. Lamon was an exciting soloist, conjuring a whirlwind in the final Badinerie.