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A most beautiful altar stands at one end of it, of exquisitely carved Italian marbles, on which has been placed the same altar-stone on which St. Bruno celebrated the holy mysteries; behind this is a basso-relievo of St. Bruno, with our Blessed Lady appearing to him, beautifully executed.

The cuirass is covered with small figures, in basso-relievo, which, as works of art, are even finer than the statue itself, and merit the most careful examination.

Over the Confessional is seen a ceiling in terra cotta, with figures in basso-relievo, tolerably designed and coloured, resembling the composition of the best mosaic-workers in Ravenna and in Rome, supposed to be the work of the tenth century, or thereabouts.

It displays a representation of the “Lord’s Supper,” the figures in beautiful basso-relievo, and bears the following inscription:— Donum Domini Johannis Otto Baijer Ad Templum Divi Johannis Antigua.

It is of pure white marble, although stained by exposure to the weather, and is elegantly ornamented with various fruits and flowers in basso-relievo.