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“I thought I was going to stay in L.A. longer,” he told journalist Tom Bogart.

Authorities discovered three bodies — two females and a male — at a home on the 4700 block of Bogart Avenue around 6:48 p.m.

In a letter to his stepson that sold for $4,480, he wrote about the classic 1946 adaptation of “The Big Sleep”: “When they were making the picture at Warners Howard Hawks, the director, and Humphrey Bogart sent me a wire asking whether the chauffeur had committed suicide or been murdered, and I had to answer that I didn’t know.”

The most successful film adaptations of Chandler’s work — Hawks’ “The Big Sleep,” which showcased the electric chemistry between Bogart and Lauren Bacall, and Robert Altman’s “The Long Goodbye,” indelibly starring Elliott Gould as Marlowe — are marked not just by dense plots but also by a wry sense of humor.

Peltier and the head of programming, Bogart Avila, share a history that began long before the space’s opening this past January.