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The Human Fear is filled with ideas fresh to the group, from orchestral flourishes on recent single Audacious to a bouzouki being used on Black Eyelashes and the Celtic style riff pulsing through Cats.

To admirers who flocked to readings where the white-maned poet also played a bouzouki, he was a bard of irresistible charisma.

Bly, a shambling white-haired guru who strummed a bouzouki and wore colorful vests, was easily mocked as Iron John himself, a hairy wild man who, in the German myth, helped aimless princes in their quests.

“I got my Greek bouzouki and my Irish bouzouki, but I didn’t get my Russian balalaika or my Turkish oud,” he said.

Yeats and his poem “The Stolen Child” is the album’s last song, followed by 50 seconds of bouzoukis and violins cutting through a highland mist to play Woody Guthrie’s “This Land Is Your Land.”