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And perhaps his best performance combined his skills as a stage actor with a fine singing voice, to bring to life 1960s-counterculture icon Jim Morrison, in Oliver Stone's film The Doors.

I had just asked Liz Moore, the author of “Long Bright River,” the novel on which Seyfried’s new show is based, about what it’s like to have an actor bring to life a character whose first-person voice she had in her head for so long.

“I also wanted to bring to life a psychopath. Someone who considers other people like objects and acts with absolutely no fear. And someone with one weakness — sexuality — where we would feel the vulnerability. That is something I don’t think is in the book that I brought because I wanted to create more dimension to the character.”

Working with Kuritzkes throughout the entire filmmaking process — even during editing — is the only way to bring to life the best version of the script, Guadagnino believes.

But the union maintains that the proposed language is not strong enough to protect on-camera performers, whose job is often to disappear into the characters they bring to life.