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Eric Bobo leans into the camera from his right, donning a leather jacket and hiding his eyes beneath a bucket hat and black sunglasses combo.

The bucket hat pictured on his dashboard was more deliberately placed, he admits – a nod to his Welsh roots.

Big and bearded, shirt ever open, in shorts and sandals and a bucket hat, he’s under surveillance by the government, which as part of the pharmaceutical-industrial complex is not keen to have that business destroyed.

For 14 seasons, Oscar-nominated Brenda Blethyn has donned Vera’s drab brown mac, crumpled wax bucket hat and inevitable scarf and bundled it all into a truly ancient Land Rover to stomp around some corpse or other, badgering the coroner about time and cause of death before snapping, “Well, quick as you can, pet.”

There are fun nods to era-specific tribes and trends, with quick references to the swing kids, ravers and rap-rock skater types, but where Mooney and Winter’s approach excels is in the deep cuts for the real ’90s-heads out there, like Daniel Zolghadri’s character as CJ, a socially conscious hip-hop kid wearing baggy khakis and a bucket hat, talking about his rap group, Prophets of Intelligence, and scolding his peers for their “corporate” music taste.