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The former is trochaic—the latter is octameter acatalectic, alternating with heptameter catalectic repeated in the refrain of the fifth verse, and terminating with tetrameter catalectic.

Iambic tetrameter catalectic, formed of seven feet and a cæsura at the close of the line.

Here the alternate lines are catalectic, both light syllables being wanting.

The normal line of which these quatrains are composed is a thirteen-syllabled one divided by a central pause, so that the first half is an iambic dimeter catalectic, and the second an iambic dimeter hypercatalectic.

To this edition of “The Unknown Eros” are added all the other poems I have written, in what I venture—because it has no other name—to call “catalectic verse.”