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Each singer made his own, which the maestro al cembalo accompanied with a few simple chords.

The essential distinction between the cembalo and the spinet was in the manner of tone production.

During the seventeenth century, sonatas were written for various instruments, with a figured bass for the cembalo.

My view of Cristofori's invention allows me to think that the Estense "piano e forte" may have been a hammer cembalo, a very imperfect one, of course.

In the cembalo there was a wooden jack resting upon the end of the keys, and upon this jack a little plectrum made of raven's quill, which had to be frequently renewed.