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That year, using a color printing process called chromolithography, Prang created America’s first commercial Christmas card.

In about 1860, however, he was driven from the market by the rise of a cheaper medium, chromolithography, which was responsible in the next few decades for a universal outpouring of popular bathos.

It has been employed by this artist for three months, and was found equally successful in oil or water colours, chromolithography, and even in making white impressions on a black ground.

When Ferdinand Lind looked out the next day from the window of his hotel, it was not at all the Venice of chromolithography that lay before him.

It may seem an anticlimax to trace the color woodcut from Jackson to Baxter, and finally to chromolithography, but it is not irrelevant.