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It seems fair to say that Brunelleschi’s image aspires to exemplify what philosophers call a correspondence theory of truth, in which a statement or representation is true if it corresponds to external reality.

Quite the opposite—it was an expansive elaboration of a morphological correspondence theory that drove Carolee for so long: This looks like this.

Let’s use the correspondence theory, whereby a statement is true if it corresponds to verifiable facts in an objective reality.

The correspondence theory, then, does not test the truth-claim of the assertion; it only gives a fresh definition of it.

The superiority of the 'correspondence' theory over the belief in 'intuitions' lies in its insistence that thought is not to audit its own accounts.