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Goodman's sunny menace sheds a glorious crosslight on Turturro's superb performance as an almost perfectly unattractive man, at once arrogant and self-effacing, politically articulate yet incapable of ordinary human connections.

A diffused brightness, a kind of high crosslight of conflicting windows, rests for me at all events on the little realm of Mr. Pulling Jenks and bathes it as with positively sweet limitations.