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“Anna Nicole Smith: You Don’t Know Me,” a new documentary about the model, actress and ’90s tabloid sensation, follows a trend established by other nonfiction portraits of ��é���ǻ�é stars released in recent years, such as “Britney vs Spears” and “Pamela, a Love Story.”

The one-story house, on a modest acreage, is of off-white brick, in French country style—subtly different from French provincial, which has become ��é���ǻ�é.

By the 1970s the novelty had worn off and the creamy, flambéed sauce had become ��é���ǻ�é.

Now that the “peacock” look, with its overflowing pocket squares and novelty cuff links, all the fashion a few years ago, is dèmodè, subtlety is key.

In the late Seventies, in fact, she began to say that fashion itself was “demode,” and in 1978 she showed a collection which mixed her clothes with those of other designers on the runway, the way they’re worn in real life.