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I think the breakthroughs that come when working with someone like Jomo is figuring out how that feels, because there’s a difference between knowing where the camera should go and where to look and how it should feel when the camera’s moving, or how the camera should deal with depth of field in relationship to the range of equipment that we can have and how to produce a scene.

But he also helped Washington adapt the Wilson source material onto a more cinematic canvas and “create a new dimension, suddenly open the depth of field.”

“It’s always her. And you understand better why Bonnie is such a good friend, how they can really bond together. Without the music, you feel it, of course, because the actresses are so fantastic. But the music, I think, expands it in a deeper way — gives it depth of field.”

They used a process, called focus stacking, in which similar photos with different focal planes are blended to achieve a more profound depth of field.

Spherical lenses are much more common for TV; anamorphics are used for certain “cinematic” looks often involving depth of field.