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The rest of the retro aesthetic is achieved with a desaturated color palette that is not well served by the digital photography and dim lighting.

Over a dozen complex stitches propelled the one-take aesthetic that transitioned between principal and digital photography.

I put to him a point made by his famous colleague Don McCullin, 12 years his senior, that digital photography is so easily manipulated that it can no longer be trusted.

The dominance of digital photography is not helping, either.

Adobe’s site has a tutorial, as do many websites specializing in digital photography.