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In three hours of listless dolor, Matt Reeves’s oppressively dour “The Batman,” which came out this spring, turned its hero into a comically emo Bat-adolescent.

With the end in sight the connection between Evans' Endeavour Morse and Thaw's feels closer than ever, previewed in a few surreptitiously placed lines of dialogue and the detective's amplified dolor.

For me the great shame and dolor of our times is the story of immigrant children.

“All elements in this rainbow program,” Crowther wrote, “are carefully contrived and guaranteed to lift the dolors of winter and put you in a buttercup mood.”

"Un pueblo unido en el dolor," a plaque at the foot of the monument reads.