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Pendleton claims for his art the privilege — the necessity — that the French Caribbean scholar Édouard Glissant called the right to opacity: to not be legible, to not have to explain oneself.

“And the consequence for not complying is international criticism. And the need to explain oneself.”

More often than not, this ends up with over-defended stories that attempt to explain motives and intentions that are now long in the past, and therefore might be accurately remembered but are, more often than not, invented under obligation to explain oneself or else to retrospectively attempt to reenter that pure space where one was a servant of and a contributor to, with all one has got, the mechanism of a work of fiction.

How does one explain oneself to the neighbors, after all?

If one has succeeded in explaining oneself in a book a preface is unnecessary, and if one has failed to explain oneself in the book, it is still more unnecessary to explain oneself in a preface.