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Each piece in the collection has repetitive organic forms as part of its design and comes in white gesso, natural Douglas fir and ebonized Douglas fir.

The masks were then covered with a thin layer of gesso and painted gold, believed to be the color of the gods’ flesh and considered an eternal and indestructible hue.

On the surface, the colorful landscapes and portraits he paints on the raw canvas he treats with gesso primer and Japanese bookbinding glue are a joyous experience.

Strawberry syrup and banana skin preserved in gesso offer bright, sticky-sweet contrast in some shadows.

Today, painters most often use an acrylic polymer known as gesso, but 200 years ago, artists turned to a motley variety of substances.