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The lyrics are a pop-song paean to colonialism, reminiscent of Hegel’s 19th century thinking when he dismissed Africa as “unhistorical, undeveloped” and “devoid of morality, religions and political constitution.”

The conflict between right and wrong is far less compelling, as Hegel understood, than the collision of sides with competing claims to legitimacy.

On his desk were books by Oscar Wilde and Hegel.

According to Moyn, Popper's critique of Hegel and Marx "relied on the spottiest possible knowledge of their works."

"These findings provide rare insight into the clandestine cyber operations that traditionally remain concealed from public scrutiny or are simply never caught by such victims," Hegel said.