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There he is, proving his virtuosity by limiting his tools, playing nothing but a hi-hat in the manner of a hibachi chef.

At one point, midsong, he told the drummer to play with no hi-hat.

Using a nickel as a kick drum, a pen as a hi-hat, Suga Free floats like he had never experienced gravity.

In contrast to his laid-back lyricism, BabyTron and his collaborators favor heart-palpitating beats that rely on the subwoofer-crackling bass, hi-hat tippa-taps and Casio synthesizers of freestyle, electro and Miami bass — the all-the-way-back sounds of rap’s early days.

Peligro counts off the track, which begins with 15 seconds of an arena rock-influenced intro before transitioning into four seconds of Peligro using both hands on the hi-hat with an accompanying steady kick drum.