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“It was like, ‘Holy smoke, this stuff actually works,’” Sharpless said.

“Holy smoke, look at the skipper’s mouth!”

“I said, ‘Holy smoke!’” he recalled.

Since “The Piano,” Campion has continued to make stirring, challenging work, including the Henry James adaptation “The Portrait of a Lady,” the willfully flaky “Holy Smoke!,” the controversial erotic thriller “In the Cut” and the poetic romance “Bright Star.”

Here's a helicopter in the 1960s sitting in the grass, and I'm looking at it like, "Holy smoke, what is this?"