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The setting and its accoutrements couldn’t be more more richly luxurious, but Kravitz presents this world with a sickening, unsettling hyperreality.

Cultural theorist Mark Fisher, in his 2009 book "Capitalist Realism," describes this moment in history as one in which "hyperreality" prevails.

In his book "Simulacra and Simulation," Baudrillard uses the example of Disneyland to describe hyperreality.

The virtual world of the internet – with its own sets of cultural norms, language and memes – is the epitome of hyperreality.

There’s a hyperreality to it, where you’re like, ‘it’s not really that — he must have Photoshopped that. It can’t be that way.’