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Instead, Freeman will now go on the IL for the first time in his Dodgers career — and the first time for a non-COVID-19 related reason since he suffered a wrist fracture with the Braves in 2017.

The next night, across the street at Walt Disney Concert Hall, the Los Angeles Philharmonic presented “Il Trionfo” to conclude a groundbreaking weeklong Handel Project, the first installment of French conductor and harpsichordist Emmanuelle Haïm’s new three-year role as the orchestra’s artist collaborator.

Nine years ago, Haïm was the conductor in a highly provocative staging of “Il Trionfo” at the summer Aix-en-Provence festival that included a filmed clip of the French theorist Jacques Derrida, who was sometimes accused of doing to literary studies what Boulez had done to music, and vice versa.

Haïm furthermore recorded “Il Trionfo” back in 2004 at IRCAM, the computer music institute Boulez created in Paris.

Haïm framed “Il Trionfo” at Disney Hall with singular brilliance.