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To transmute such willful inelegance into high art would be a miracle indeed.

“Teach me how to not be afraid,” the clergyman, a composite figure of several acquaintances, asks Rustin, a line emblematic of the film’s occasional inelegance.

But this time he committed the twin sins of inelegance and indiscretion.

The sheer sublimity of this sequence — the eerie silence, the stillness and clarity of the image — stands in sharp contrast to the rest of the movie, which is framed with almost defiant inelegance.

Watching Ron live out this double-consciousness immediately triggered vivid memories of my own management of double consciousness — conducting that tricky dance that leaves no room for inelegance.