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But in the larghetto of the F-minor concerto, in the nocturnes and preludes—not of course the big one in D minor—�tudes, valses, ah! there is then but one De Pachmann.

Moving moderately slow, but distinct and flowing; quicker than larghetto, and slower than allegretto.

The alto then takes up a larghetto in six-eight time, key D minor.

These effects readily are discoverable in the larghetto of the Potocka concerto.

The second movement is a larghetto highly embroidered.