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I had got off a plane only the night before after a 21-hour flight and was beginning to think that I was tripping as Johan Renck and his lighting cameraman jabbered away in Swedish, discussing the complexity of the shot.

The film's assistant director Christopher Riley provided a wonderful guiding hand on every aspect of production for Destination Titan, including my decision to shoot the interviews with a backdrop reminiscent of the surface of Titan, lovingly realised by my lighting cameraman Richard Edwards.

The lighting cameraman was Dutch Anonymous, the script girl Belgian Anonymous and the assistant editor: English Anonymous.