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The very name conjures images of sweltering summer picnics, soggy sandwiches and a kind of lowbrow indulgence we don’t like to admit we enjoy.

They need to separate their critiques of Trump’s cartoonish appeals to hyper-masculinity from the right’s more foundational strategy to align itself with ‘lowbrow’ media genres and their audiences.

And anything associated with children’s media is all kind of suctioned into this idea of being lowbrow.

The chairs are among many quirky personal touches they’ve added to the space — books, photography from their work at The Times, lots of junk food — that, like the show, blend a highbrow and lowbrow aesthetic.

Often deemed lowbrow, unserious and too commercial, a wider acceptance of magic mushrooms and ketamine among some pockets of the country also means that the art is no longer reserved for outcasts and hippies.