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“Tigers Are Not Afraid” was a horror film shot through with magic realism, and both those elements find a home in “Night Country.”

Nancy Savoca’s 1993 film “Household Saints,” a warmhearted fable spiced with magic realism and zesty performances, may be the most endearing of multigenerational Italian American family sagas and is likely the most mystical.

That grounding also allows for some well-integrated magic realism, and of the introduction of a spirit world that lives close by and looks and sounds and acts a lot like ours.

His 1979 work The Book of Laughter and Forgetting spanned seven narratives and containing elements of the magic realism genre, while in 1988 he wrote one of his best novels, Immortality.

In Allen’s fashioning, Black experience is never subject to conventional parameters of time and space, and his magic realism, instead of being performatively exuberant or purposefully provocative, is plainly unsettling and disturbing.