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A masterclass in pop storytelling, Good Luck Babe has a proper three-act structure, with a killer pay-off in the middle eight and a chorus you just can't shake.

The middle eight bars should do something that relieves the tension — gives the listener a break for a minute and then takes you right back in.

That late-first-half execution contributed to Cincinnati’s strong performance in the “middle eight,” the last four minutes of the first half and first four minutes of the second half.

“I’m the writer, so I need to know how every aspect of the song goes. I can hear the bass and the drums and the keyboards. That’s how I go into the studio. It has a verse, a chorus, a middle eight, a solo, an end. If it’s going to fade, if it’s going to end, whatever — I need to know exactly what that is.”

That allows you to pick out little details that were buried in the original - the sound of the pick on the banjo strings or the cymbal hits in the middle eight.