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You use the word “mythomania” several times in the book.

All of these accounts stand as necessary supplements to Dahl’s lyrical but selectively truthful autobiographical writing; Dennison notes his tendency toward “mythomania.”

Jenny Flick suffers so badly from mythomania, she believes her own lies.

Officers were quoted by local media as describing him as a “dangerous person with traces of mythomania”.

What interests her is the manufactured drama of world-historical strongmen—their mannerisms, speech patterns, stagecraft, and mythomania.