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Plucked from Mexican prison cells, hustled onto planes in shackles and express-delivered into the waiting hands of American authorities were several notorious capos, whose alleged narco exploits have been chronicled in films, TV series and federal indictments spanning decades.

He also described him as an "invisible narco", who did not draw attention to himself.

The trio is credited with originating the fusion of narco balladry and hip-hop elements, heard in the sounds of popular música Mexicana artists like Peso Pluma and Natanael Cano.

“You’re in a narco movie and, then, bam, you’re in a telenovela,” he told Variety, comparing the film and its idiosyncratic song-and-dance sequences to an opera.

The latter is a novel that should have been marketed as a cut-and-dried narco thriller but was instead positioned as an overdue humanization of the undocumented experience at the Mexican border.