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Lara Downes, kneeling at her piano, played Florence Price’s arrangement of “Nobody Knows the Trouble I’ve Seen.”

Hardships and frustrations lead to slow, stately renditions of such familiar tunes as “Nobody Knows the Trouble I’ve Seen” and “Sometimes I Feel Like a Motherless Child.”

Finally, she returned for an encore, singing “Nobody Knows the Trouble I’ve Seen.”

After singing “Nobody Knows the Trouble I’ve Seen,” in which Tines absorbed, Christ-like, the world’s troubles for our sake, he folded the chair and placed it on the ground like a lifeless body.

Even that most doleful of Christian laments—“Nobody Knows the Trouble I’ve Seen”—sounded snappy and upbeat through these women’s windpipes as they sauntered along: “Nani oze mpasi zazo! Nani oze mpasi!”