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But there were also moments of great delicacy, as with the evanescent pizzicatos at the end of the symphony’s Vivace non troppo movement, a quintessential Mendelssohn scherzo in all but name.

The tempo marking is Allegro ma non troppo, meaning fast, but not overly so.

The first movement, Allegro non troppo, begins with a wistful, ambling melody that leads into episodes of discovery and development.

Ms. Lee played her solos in the section marked “Non troppo lento” with a rich, penetrating tone.

The work’s finale is marked Allegro ma non troppo, “not too much so” being, of course, a relative concept.