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In the years that followed, Maclin immersed himself in “Jitney” by August Wilson and Sophocles’ “Oedipus Rex.”

He asks the program to upload his collected works along with other material, including “King Lear,” “Oedipus Rex,” a smattering of Ibsen, psychiatric papers and the journals of his late wife.

Gilman recognized that what Sophocles was pursuing in “Oedipus Rex” and Shakespeare in “King Lear,” Chekhov was similarly exploring in “The Three Sisters” and Beckett in “Waiting For Godot.”

With “Oedipus Rex,” a not happy, not hopeful work, overt visceral thrills competed with demanding, thoughtful pause.

The Dorothy Chandler Pavilion to the left, its decadent chandeliers dripping light, awaits its debut Sunday when Los Angeles Opera returns inside for “Oedipus Rex.”