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Simone Collins is sitting in her 18th century cottage in Pennsylvania, dressed in a black pilgrim pinafore with a wide collar, bouncing one of her four children on her lap.

“I love the scale of the check. I thought it harked back to the original pinafore she wore in the first ‘Beetlejuice,’” says Atwood.

Ella noticed how Auriga kept smoothing her small pinafore and Aries kept stealing glances at Brigit.

She designed shift dresses and pinafores, released soft bras that she dubbed “booby traps,” and helped popularize brightly colored tights, releasing the garment in exotic yellows, blues and reds instead of just the traditional black.

Here’s the appropriately macabre opening of Coleridge’s “The Crime of the Urchin Mary”: “It was an ancient crone who wrote / Silly rhymes for tots / Was stopped by a maid in a pinafore / With blood-red polkadots.”