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We are living in an age of placeless possibility: a time when we can instantly get in touch with another person no matter where they are on the planet through any number of media.

There’s no room for humans in these pictures, but that’s essentially true of all the placeless places illustrated in this show.

These domains might be called “Placeless Places,” the title of a three-artist show at the Korean Cultural Center.

Where de Mille’s dance is theatrical, Peck’s “Rodeo” is abstract, stripped down to a neutral scenic design and placeless costumes.

As is often the case with McVicar, we are in a vague, placeless Europe; maybe it’s around the turn of the 19th century, when the opera was composed, or maybe later.