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Some of the sentences that adorn them are barely legible because of the fabric’s creases, but one of them, a quote from a playbill interview with Castellucci, describes Huppert as “the synecdoche of theater.”

There are plenty of clues in the playbill.

But the posters and playbills around the campus of Santa Fe Opera in New Mexico have given Monteverdi a makeover: Gone is the article from “L’Orfeo,” which is being styled this summer as simply “Orfeo.”

Believe me, when the show's over, I go out, I sign a couple of playbills, I say hi to a couple of people, and I'm running to bed.

Mnouchkine, herself an epic narrator of historical events, is named as an inspiration several times in the playbill, and her influence was clear throughout.