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Much like the Pyramids, the Ohio-based band that wore African finery and played polyrhythmic arrangements lifted from the continent, El’Zabar’s group wasn’t fully appreciated by American listeners.

His new solo record, “Y’Y,” out Friday, sees him travel out of Pernambuco and into the Amazon, where the sounds of birds, water and rustling leaves lend themselves to polyrhythmic compositions reminiscent of the rainforest.

In this record we hear faint echoes of the musical genres that are emerging, in Garrison playing heavy funk bass lines, Tyner’s harmonic sophistication and the polyrhythmic enchantment of Elvin Jones’s drums.

Even Spike Lee stood up and danced in Toronto when the band played “Once in a Lifetime,” a polyrhythmic, joyful song with the refrain “Same as it ever was.”

“The Devil You Know” pairs dark, psychedelic jazz with searing observations about America, and “Yemaya” centers upbeat, polyrhythmic percussion with words about the cleansing power of water.