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The book teaches that there are 10 distinct sexual identities androsexual, polysexual, skoliosexual, demisexual and gynesexual.

From the ’70s through the mid-80s, London was the primary seat of dissident and anti-establishment design, not just in fashion but across disciplines: Britain was in the midst of protracted financial recessions, the Conservative prime minister Margaret Thatcher had been elected, the performance artist Leigh Bowery had opened his underground nightclub Taboo, which fueled the polysexual and New Romantic scenes, and all of young artistic life was in revolt.

One minute Almodóvar and Banderas, his regular player, were making polysexual comedies they figured would play to a dog and two transvestites.

That stands for “Lesbian,” “Gay,” “Bisexual,” “Transgender,” “Queer,” “Questioning,” “Intersex,” “Curious,” “Asexual,” “Agender,” “Ally,” “Pansexual,” “Polysexual,” “Friends and family,” “Two-spirit” and “Kink.”

Yet Spencer thinks this multiracial, polysexual scene is exactly what Europe needs at the moment.