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I can say with 100 percent confidence that no one in the education department of the National Gallery would ever tell someone new to the experience of art, “It looks like you don’t know squat about postimpressionism so don’t show your face here again until you’ve leveled up.”

Like a long-lost Shakespearean manuscript or a forgotten Beatles tape, this mislaid mural by the British painter Duncan Grant has lovers of Postimpressionism in paroxysms of delight.

Her use of it reaches its peak of tact and skill in the galleries for impressionism and postimpressionism at the top of the museum, fitted into the dead space between facade and vault.

Edwin Landseer, seen afresh, had wallop with the pathos Twenty-five years ago, everyone knew Sir Edwin Landseer was as dead as a shot stag�dispatched, as it were, by the bullets of postimpressionism and "significant form."

There was no way of judging the academicians by the standards of postimpressionism.