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She worked with director Altman again on films including Brewster McCloud, The Player and Pret-a-Porter.

Now 96, Ms. Stafford worked as a photographer for more than 50 years, in a career that took her to India, Bangladesh, Tunisia, London and Paris, capturing cutting-edge ���ê��-à-��ǰ��ٱ�� fashion; the realities of urban poverty; and the impact of conflict.

“It takes sort of transgressive phenomena and sort of cultural insurgencies and it skins their hides and leaves the meat of the matter to rot and then turns it into pret-a-porter, off-the-rack fashion/lifestyle choices.”

The collection of cheating, preening narcissists that compose the designers and editors in “Prêt-à-Porter” in 1994.

He then moved to Paris in 1996 to become the head of ���ê��-à-��ǰ��ٱ�� design at Guy Laroche.