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Taking these roles together, especially “Friendship” and “The Dutchman,” in one of them you’re this put-upon wife and the other one you’re this whirlwind, demonic vixen.

She could be sweet, evil, overbearing, put-upon, thoughtful, impulsive, girlish, vulnerable or manipulative and superimpose selected qualities for extra complexity, always with a compressed energy, obvious or veiled.

And he calls Enrico Colantoni, who plays their put-upon principal with weary grace, “such a gift to the project. His acting is like a drug.”

He inhabits a space populated by right-wing windbags who have convinced each other, through endless repetition, that they are the most put-upon people in history.

Scott wrote in The Times, “you are likely to leave this one feeling as grouchy and put-upon as the title character.”