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Genesis told the court in a filing last year that it that it was merely accused of being “a distributor of radio programs — the radioland equivalent of the paperboy — not the author, not the publisher, not the broadcaster.”

And now that the curtain has fallen, it’s worth taking one last trip to Rush’s radioland, to celebrate that we never have to go there again, to understand why we will never truly leave it behind.

He presented simplistic demi-arguments that could be easily ingested by even the dimmest denizens of radioland, and he did so with a malevolent glee that was often mistaken for good humor by those who were not his targets.

Radioland: From indie darlings like Lucy Dacus and Neko Case to Cardi B and Black Panther, music critic Carl Wilson runs down his best albums of the year and offers bonus “hear also” picks you’ll want to check out if you like what’s on his list.

They also wrote the screenplay for Steven Spielberg’s “Indiana Jones and the Temple of Doom,” which Lucas executive produced, and later co-wrote “Lucky Lady,” “Messiah of Evil,” “French Postcards,” “Best Defense,” “Howard the Duck,” and “Radioland Murders.”