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Then she heard a knock on the door: Jaffe, along with Irina Kolpakova, the esteemed principal ��é��é�پ��ٱ�ܰ� at Ballet Theater, was there to tell her how beautiful her performance had been.

He conducted chamber orchestras, and Mozart concertos from the keyboard, and in his late teens began working as a repetiteur — the opera rehearsal assistant position that was the main root of old-school conducting careers.

Surrounded in Argentina by refugees who had no sympathy for the style of the conductors who stayed behind to serve the Third Reich, Gielen, a ��é��é�پ��ٱ�ܰ� and budding conductor at the Teatro Colón, gravitated toward the textual literalism of his two antifascist idols, Erich Kleiber and Arturo Toscanini.

Evocative and easily overlooked, “Répétiteur” by Jorge Otero-Pailos, occupying an obscure rehearsal room at City Center, is on view this week only.

“Répétiteur,” at City Center, in effect does for Merce Cunningham and dance what “The Ethics of Dust” aimed to do at Westminster.