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From there, variations surface with nods to Classical and Baroque forms: a dancerly minuet or rondo, a concerto grosso of angular strings, a wandering ricercare.

But this “Ricercare” performance had a suaveness of blended tone that seemed both organic and otherworldly.

A highlight on Monday night was Mr. Noisternig’s presentation of “Ricercare una melodia,” by the composer Jonathan Harvey.

She appeared with Tetley’s modern dance troupe and in “Ricercare,” a duet he choreographed for her and Scott Douglas at American Ballet Theater in 1966.

Each had a solo moment as well: Ms. Carrai gave an eloquent account of Domenico Gabrieli’s tuneful Ricercare No. 7, and Mr. Stein played Blow’s Prelude and Morlake Ground with admirable fluidity and transparency.